Focusrite Scarlett Solo 4th Gen
Device Type: 2-In / 2-Out USB-C Audio Interface
•
Resolution: 24-bit / 192 kHz (AES17)
•
Line Out Dynamic Range: 120 dB (RedNet Tier)
•
Preamp Gain Range: 57 dB
•
Inputs: 1x XLR Mic + 1x 1/4″ Line/Inst
•
Outputs: 2x 1/4″ Balanced TRS + 1x 1/4″ Phones
•
Bus Power: USB-C (5V DC @ 900 mA)
•
Resolution: 24-bit / 192 kHz (AES17)
•
Line Out Dynamic Range: 120 dB (RedNet Tier)
•
Preamp Gain Range: 57 dB
•
Inputs: 1x XLR Mic + 1x 1/4″ Line/Inst
•
Outputs: 2x 1/4″ Balanced TRS + 1x 1/4″ Phones
•
Bus Power: USB-C (5V DC @ 900 mA)
1. Core Specifications Overview
| Parameter | Engineering Specification |
|---|---|
| Product Identity & Platform | |
| Manufacturer | Focusrite Audio Engineering Limited (High Wycombe, UK) |
| Model | Scarlett Solo (4th Generation) |
| Interface Class | USB Audio Class 2.0 (High-Speed USB-C) |
| Measurement Standard | All audio specifications measured strictly following AES17 standard |
| Digital Audio Subsystem | |
| Conversion Resolution | 24-bit linear PCM conversion |
| Supported Sample Rates | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz |
| Clocking Architecture | Internal master clocking; low-jitter crystal oscillator |
| DAC Performance Tier | Flagship D/A conversion offering 120 dB dynamic range (derived from Focusrite RedNet series) |
| I/O Channel Topology | |
| Physical Analog Inputs | 2 channels (Ch 1: Front 1/4″ Line/Instrument; Ch 2: Rear XLR Microphone) |
| Virtual DSP Inputs | 2 channels (Ch 3-4: Stereo Hardware Loopback) |
| Physical Analog Outputs | 2 channels (Outputs 1-2: Left & Right balanced TRS monitor outputs) |
| Headphone Output Feed | Mirrors Outputs 1-2 with independent dedicated analogue potentiometer |
2. Analog Input Specifications
| Parameter | Microphone Input Ch 2 • Rear XLR |
Line Input Ch 1 • Inst Off |
Instrument Input Ch 1 • Inst On |
|---|---|---|---|
| Physical Connector | Neutrik 3-pin XLR | 6.35 mm (1/4″) TRS | 6.35 mm (1/4″) TS |
| Frequency Response | 20 Hz – 20 kHz ± 0.06 dB | 20 Hz – 20 kHz ± 0.05 dB | 20 Hz – 20 kHz ± 0.15 dB |
| Dynamic Range (A-weighted) | 113 dB | 113 dB | 112 dB |
| THD+N | -100 dB (-1 dBFS @ min gain) | -100 dB (min @ min gain) | -80 dB (min @ 8 dB gain) |
| Noise EIN (A-weighted) | -127 dBu | N/A | N/A |
| Max Input Level (@ min gain) | +9.5 dBu | +22 dBu | +12 dBu |
| Gain Range | 57 dB | 57 dB | 57 dB |
| Input Impedance | 3 kΩ | 60 kΩ | 1 MΩ (Hi-Z) |
| Phantom Power | +48V DC switchable | N/A | N/A |
| Air Circuit Support | Presence & Drive | Presence & Drive | Presence & Drive |
3. Analog Output Specifications
| Parameter | Line Outputs 1 & 2 Balanced 1/4″ TRS |
Headphone Output Stereo 1/4″ TRS |
|---|---|---|
| Physical Connectors | 2x Rear 6.35 mm (1/4″) TRS jacks | 1x Front 6.35 mm (1/4″) stereo TRS jack |
| Circuit Topology | Electronically balanced line drivers | High-current stereo headphone amplifier |
| Frequency Response | 20 Hz – 20 kHz ± 0.02 dB | 20 Hz – 20 kHz ± 0.1 dB (@ 33 Ω / 300 Ω) |
| Dynamic Range (A-weighted) | 120 dB | 112 dB (@ 33 Ω) • 115 dB (@ 300 Ω) |
| THD+N | -109 dB | -97 dB (@ 33 Ω) • -102 dB (@ 300 Ω) |
| Maximum Output Level | +16 dBu | +2.5 dBu (@ 33 Ω) • +10 dBu (@ 300 Ω) |
| Output Impedance | 200 Ω | 50 Ω |
| Recommended Load | Active Studio Monitors / Line-In | Headphones up to 300 Ω nominal load |
| Level Potentiometer | Continuous analogue potentiometer | Continuous analogue potentiometer (independent) |
4. Hardware Controls, Metering & Physical Layout
| Control / Indicator | Physical Action | Functional Behavior |
|---|---|---|
| Dynamic Gain Halos | Concentric rotary rings | Tri-color LED metering around each gain knob:
• Green: Signal present (-42 dBFS to -6 dBFS) • Amber: Pre-clip warning (-6 dBFS to 0 dBFS) • Red: Digital clipping overload (0 dBFS) |
| Inst Mode Switch | Latching push-button | Toggles Input 1 impedance between Line Level (60 kΩ, white LED) and Instrument Hi-Z (1 MΩ, green LED). |
| Air Mode Engine | Multi-state push-button | Cycles through 3 distinct analogue and DSP sonic profiles:
• Off (White LED): Transparent, ultra-linear preamplification. • Air Presence (Green LED): Pure analogue circuit boosting high-frequency clarity and acoustic presence. • Presence & Harmonic Drive (Amber LED): Analogue presence boost combined with DSP harmonic drive (up to 96 kHz). |
| +48V Phantom Power | Push-button | Sends +48V DC phantom power to the rear XLR input for studio condenser microphones. |
| Direct Monitor | Push-button | Routes incoming signals directly to monitor and headphone outputs with zero round-trip digital latency. |
| Hardware Loopback | Internal virtual routing | Feeds computer system audio outputs back into DAW Inputs 3-4 for livestreaming and podcasting. |
Front Panel Schematic
+-----------------------------------------------------------------------------------------------+
| FOCUSRITE SCARLETT SOLO 4th Gen |
| |
| [ INST ] ( GAIN 1 ) ( GAIN 2 ) [ 48V ] ( MONITOR ) ( PHONES ) |
| 6.35mm (O) Halo Ring (O) Halo Ring |
| Line / Inst [ AIR ] |
| Jack In 1 [ DIRECT MON ] MAIN OUTPUT HEADPHONE |
| LEVEL POT LEVEL POT |
+-----------------------------------------------------------------------------------------------+
Rear Panel Schematic
+-----------------------------------------------------------------------------------------------+
| [ K ] [ USB-C ] ( R ) ( L ) [ XLR IN ] |
| Kensington 5V DC 900mA SPEAKER OUTPUTS (BALANCED) 1/4" TRS MICROPHONE |
| Security Slot Power & USB 2.0 Right Left INPUT 2 |
+-----------------------------------------------------------------------------------------------+
5. Physical, Electrical & Environmental Characteristics
| Characteristic | Specification |
|---|---|
| Dimensions (H × W × D) | 46.5 mm × 143 mm × 96 mm (1.83 in × 5.63 in × 3.78 in) |
| Unit Weight | 382 g (0.84 lbs) |
| Chassis Construction | Precision anodized aluminium unibody enclosure with rubberized feet |
| Power Supply Protocol | USB-C bus powered (USB 2.0 standard protocol) |
| Power Consumption | 5V DC @ 900 mA (4.5 Watts maximum) |
| Standalone Operation | Supported; powers via external standard 5V USB-C wall adapter without computer for direct monitoring |
| Ambient Operating Temp | Up to 40 °C / 104 °F maximum ambient operating temperature |
| Physical Security | Integrated Kensington Security Slot (rear chassis) |
6. Driver Architecture & DAW Integration
| Host Environment | Driver Architecture | Configuration & Control |
|---|---|---|
| Apple macOS | Class-compliant Core Audio | Focusrite Control 2 application (software switching, firmware updates) |
| Microsoft Windows | Focusrite USB ASIO driver | Focusrite Control 2 with system tray buffer size and sample rate control |
| Avid Pro Tools Setup | • Windows: Setup > Playback Engine > Focusrite USB ASIO
• macOS: • I/O Routing: Inputs 1-2 (Mic/Line), Outputs 1-2 (Monitors/Phones), Inputs 3-4 (Loopback) |
|
| Software Bundle | Pro Tools Artist subscription license, Ableton Live Lite, Focusrite Control 2, Hitmaker Expansion suite (Antares Auto-Tune Access, Softube Marshall Silver Jubilee 2555, Native Instruments MASSIVE, Landr Studio mastering tools, Brainworx bx_console Focusrite SC, XLN Audio Addictive Keys & Drums). | |
